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PAUL REVERE
MARK LINDSAY
JOE, JR.
CHARLIE COE
FREDDY WELLER
PHOTO
![[Camera]](camera2.gif) GALLERY
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![[Hullabaloo]](hulabw.gif) HULLABALOO!
![[TV]](pilot5.gif) TV PILOT
THE RAIDERS TODAY!
THE MUSIC
| ![[Spacer]](dot_clear.gif) | here they are!
Here they are, five groovy guys who make up America's most famous fivesome. What can be said, except thank you... and thanks to Dick Clark and "Where the Action Is," the Hollywood Palace, Milton Berle, the Smothers Brothers, the Tonight Show, Batman, the Mike Douglas Show, Coliseum, and Ed Sullivan. The Raider story has a long way to go, and much to be written. But sit back now, and see for yourself, what words can't say, about Paul Revere & the Raiders.
America's Rock & Roll Band!
One of the main products of Idaho has been Paul
Revere. Not the Revolutionary War hero - though
that person's name and the style of dress of those
days provide important bits of showmanship for
the present-day namesake - but the teen-age rock
idol. Among many young people, the modern Paul
Revere has become at least as well known as the
original. He surely became much wealthier.
The western Revere was born and raised in
Idaho, where he found his first work in his teens as
a barber. Later, showing considerable business
sense for his age, Paul became owner of a drive-in
restaurant in his hometown. He had learned to play
piano and organ in his boyhood, and he supplemented his income by leading a small pop group
at local clubs. In the early '60s an important addi-
tion to the band came in the form of a delivery boy.
This was Mark Lindsay, who met Revere while
delivering bread to Paul's drive-in and who went
home and learned the saxophone because Revere
said he could join the band if he could play an
instrument. |
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Paul began to look for more outlets for his
group's musical talents. The band recorded a
number of singles, the most successful of which
was "Like Long Hair," released on the Gardena
label in April 1961. In November 1962, he gained
an engagement in Portland, Oregon, and coined the name Paul Revere and the Raiders for his band.
By then Lindsay was handling lead vocals as well
as saxophone. Also an original member was a
former nightclub owner, Michael Smith. Two
months later Revere met one of the better-known
disc jockeys in the Northwest, Roger Hart, and the
two began collaborating on promoting dances
featuring the Raiders. In the spring of 1963 Hart
paid for a recording session to make some demonstration tapes of the band. The tapes were sent to
several recording companies, and Columbia
Records responded with a contract. Columbia issued the Raiders' single, "Louie, Louie," in June
1963. The record became a regional hit, but was
beaten out for national honors by another group's
recording of the same song.
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During 1964 the group became one of the hottest
attractions in the Northwest. Its lineup for much of
this period did not include Mark Lindsay, who
parted company with the rest of the group for a
time. After setting attendance records for club and
campus dates in Washington and Oregon, the band
moved south in the summer of 1964 to open a new
club, the Peppermint Tree, in San Francisco. The
group played to standing-room-only crowds and
began to build up a strong following in California.
In January 1965, Philip Volk joined as bass
guitarist, and, soon after, the base for the Raiders
shifted to Los Angeles, where Mark Lindsay re-
joined. In early '65 the reorganized group gained
its first hit single, "Steppin' Out." The group also
came to the attention of Dick Clark, then preparing
a show called "Where the Action Is" for ABC-TV. When the show was accepted in April of that
year, the Raiders became regulars.
Within a short time, the performers' dynamic rock beat and their
Revolutionary-style outfits -
| complete with high
boots, lace cuffs, frilled shirt fronts and George
Washington-type hairdos - entered the consciousness of most of the nation's teenagers. At year-
end the band had the hit single "Just Like Me,"
which reached number II in '66; they followed it
with the even more successful "Kicks," a top-five
hit in '66.
The band began to hit the single and LP charts
regularly, a pattern that continued through most of
the decade and into the 1970s. Many of the band's
songs were compositions by Mark Lindsay, in-
cluding "Oh! To Be a Man," "Louie, Go
Home," "Undecided Man," "Steppin' Out" and
"Melody for an Unknown Girl." The group's hit
singles from 1966-'69, besides "Kicks," included
"Hungry," "The Great Airplane Strike" and
"Good Thing" in 1966; "Ups and Downs," "Him or Me-What's It Gonna Be," "I Had a
Dream" and "Peace of Mind" in '67; "Too Much
Talk," "Don't Take It So Hard" and "Cinderella
Sunshine" in '68; and "Mr. Sun, Mr. Moon,"
"Let Me" and "We Gotta Get Together" in 1969.
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America's Rock & Roll Band!
Part II
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